Amor
Shot in Rome and Salzburg’s natural theatre, the film uses cutting and sewing as metaphors for love, separation, and the craft of montage. Cloth being trimmed, hands clapping, and tools striking accompany images of tailoring, architectural restoration, and Beavers himself in a new suit, linking gesture and sound to the editing process.
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Genres
Documentaire
Release
1980-03-04
Cast
My Hand Outstretched to the Winged Distance and Sightless Measure
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